Ah, brother Efrim. He never told his story well. Everything about him was submerged. He wore both masks, the comic and the tragic. When he drank, he was the best goddamn drunk he could be. Sober, his heart was larger than anyone she knew. Elani loved him and she understood the depths, the wear-and-tear of pride, the oscillating moods. She tried to rescue him, and still hoped she could. He was stubborn.
She often drew him in her sketch book, always from memory. He had little patience for sitting still or staying in the moment. His face was angular and whiskered, pliant skin over bone. The portraits were always in charcoal and pencil, because that was him, practically a Dickensian character, bare meat on his bones, unwashed hair, seared lips.
She found him once, on one of her rescue missions, slumped on the sidewalk. The street lights dredged the pavement like flour, and he was a shapeless drift of luminance. He was waiting for the better angels to show up. Or his sister.
She cupped the back of his head. No more, he mouthed, but the words were a malt liquor vapor.
***Excerpt from a work-in-progress, The Stone Age***