It’s the same, every night. I reach for the dream, and I’m grabby-fingered, grievous.
The dream– no, she — is my beautiful. The woman, alone, in front of a barn, tossing scratch to the chickens. She wears a faded bluey sundress, and it is judiciously short, judicious sassy, cut just above the knees, threadbare and very old. It is 1960’s Flower-Power aphrodisia. She doesn’t care. She loves who she is, and I’m a bystander. I see her from profile: the tilt of her hips, the slow current of her arms, the equid arch of neck. Her hair is long, and it flows like a fire beside a curved river. This is her, and this is her’s.
The light captures every grain of the chicken scratch, effervescent dust, as it drifts to the dirt. Even in dreams, everything is bound by gravity. The sun falls below the hills, bloody and huge, and she is cast in it, a form too pure to be possessed. Her dress becomes invisible and she is a body radiant.
She turns to me and turns from me, and I understand. And I grieve.
I used to be a good man. There are memories, strong, of sitting on the porch with Marcie. We drank sweet tea from jelly jars. The porch was cluttered with flower pots and lawn chairs and Marcie’s rainbow of flipflops. I rested my hand on her thigh and we watched the alfalfa fields shift in the wind, like feathers rising from water, and imagined shapes in the chameleon clouds. Sometimes I plucked dandelions from the lawn and tucked one behind her ear. She laughed, then scowled, then laughed again. Eventually, the sweet tea became bourbon, and the laughter became the deepest part of our summer nights. We were young, so young. I remember I wanted her and she wanted me, and then somewhere, somehow, we became poison to each other. I was a good man once, but that might just be a dream, a desire for long-ago soundness.
They call me Balazar. I do not know why. I am old. Irrefutably old. And oh, how the years have poured through me. I have plucked the flesh of the immortals, scarred the tongues of those who speak my name, plundered their bones. I have wept for the stains I leave upon their torn breasts, but my tears are not sincere. I am not cruel. My work is fast, my appetite fierce. I watch them. They do not see.
They call me Balazar. I do not know why.
Darkness drips a minute at a time,
staining the sheets.
He traded in the suit and cape for a K-Mart tee and Levi 601’s. Tired of soaring, he took the subway downtown. He could still hear their cries and peek into their failing bones. He wept molten tears as he lay beneath burlap, and he wished for sleep. He waited for the yellow sun to give him back his faith.
Listen, please listen. You cannot hear my voice; I have none beyond the squelch and repetition that serve as memory. But think back: remember my eyes, my irregular climates, oh, how daring, and oh, how timid, so full of fear and fuck-it, by the drink and the contradictions. You will hear my voice if you listen, if you disregard the inconsequential noise that chokes your ears. If you truly knew, you would tell apart my voice by my pulse points and the wash of gray light upon my lips.
Listen, please listen, and I will be all that you hear.
The apartment, esthetically cold, calibrated for sparse, was assembled with stainless silver appliances and Pier One bar stools. There was a single Zulily mug on the industrial bronze cocktail table, lipstick smudged, overturned. A red silk sheet, torn and tangled with stockings and garters, lay between the kitchen and foyer, and a trail of blood smeared the linoleum.
Her alibi was solid.