Suite 1

Evelyn-Jean Jones knows she does not look like that beige-blonde girl on page 28 of her brother’s Field & Stream October issue — the page with the below-the-fold advertisement for Kodiak boots and, apparently, women’s shorty-shorts — the magazine he keeps buried under his collage of college brochures — the brochures he broodily ignores when he comes home from JFK #3 Collegiate High School — the school he enters every morning as if it were a trench filled with mustard gas. He hides that magazine with that girl on that page underneath all the constricting thoughts in his life: the colleges that don’t really care if he attends them; the unremarkable grades that seem flat to everyone but his parents; the girl he likes who sits beside him in homeroom and advanced trig, and who likely walks to each of her classes with the standard-issue High School Richter scale to measure anxiety due to: pimples, grades, assorted teenage cruelties, and a thousand different oscillations of bad vibrations such as: being measured for every pound of flesh, every bead of perspiration, every drop of blood she sheds that must be so obvious to absolutely everyone. She does not wear Kodiak boots, but she does wear Dollar Tree sandals that will soon need Krazy Glue to keep the insoles from snapping down the hallway like a pre-teen boy’s trail of farts. This is a thing that boys do, and if she has a brother, he has already confirmed this to her.

But back to Evelyn-Jean: she knows who she does not resemble, and that is Miss Page 28. However, she is generally unattached to the idea that this is who she’ll always be, and there’s a pretty good chance that all the big changes are pending. Fourteen years old, and she may already be wise. She does not pretend to be smarter than she is, unlike her bro, who thinks he could be the next Ian McEwan or maybe Ralph Ellison (urmm, thing to consider here, and I’m hawking this from Sister Oprah: my dude, maybe you should be the first you instead of some watered-down version of someone else. She never EVER says my dude, not even when she’s mainlining M&M’s and maintaining a wicked weekend Mountain Dew rush, but Coolio over there is a special case, an inert exception to that particular rule, so you go on ahead and be the new Edgar Allen Duck if that’s gonna be your next performance-art thingy, my dude).

Evelyn-Jean has met the girl to whom her brother is enamored (– is that word still up for grabs, or has it been permanently preserved in amber by Miss Jane Austin and her Lady Avengers, strictly reserved for suitably cotillion’d adjectives / so the loud-mouth’d verbs can leave now, okay? –) and she is a slight and pretty thing, in a vague CW teen vampire victim sort of way. Blonde, but not Page 28 blonde, casual no-name denim, not-too-blousy blouses, freshly-washed face, clean nails, yes, my lord, she will do as a bridesmaid, but not as the main course. The Chosen Girl knows who Evelyn-Jean’s brother is, probably, but other than the slightly hesitant name recognition attached to the face, he could be anyone to her: an actor in soft-focus to the left of Jason Priestley in a “90210 Reunion Special”, or an enfant terrible from one of the lesser state senates recently depositioned for three counts of Awfully Stupid. Is he your brother? Tell him I said hi, I guess. Oh, the burn of immortal love, bro, but you’re almost seventeen, so this is not your real life yet, unless it is, in which case, so sorry your soup is cold and we’re all out of those cinnamon bread sticks you like so much.

Suite 2

Evelyn-Jean Jones knows her brother does not look like that photograph on page 17, second column and above the fold, of the old obituary notices –a jejune black and white shot cropped from a blown-up photo from a lousy yearbook capture of him and his Math Crew celebrating whatever it is that math geeks celebrate when there are still Math Girls in the room: probably Batman, or a Skywalker, or a particularly cute cosplay. He did not look like that at all / so ill-defined / when he died, and Evelyn-Jean hurried past him so she wouldn’t have to remember what remained of him. That was a thing she would never say to anyone, not to any future husband / child /  god, should she ever go looking for that particular character again.

“Ya’ll don’t know how this feels,” she says at her graduation. “You can push them all together, all them black and white newspaper dots, and still not see him. Not for what he did in his three-and-a-half years of high school, not for what he did outside the hallways and classrooms. But that ain’t the whole him. What he thought, how he felt — they shoulda called me up, I had real pictures of him. Good pictures. He was a real, real kind boy, an urgent kind of boy, and I teased him about it, and he brooded over my words, because he knew I was right. When he laughed,  it was a real thing. That boy could laugh when he wanted, and a lot of time, he did not want to. He felt all his moods, and he tried to be generous with them when they were good, and sometimes he failed at that. But we knew him. I knew him, his folks knew him, and they knew him to be a real sincere boy. His hurt was real, and he had a hard time showing it off to others. But I knew him. He was not as average as he thought he was. He would have been a good man, given a chance, given a few more years. But I guess you can’t put that into three paragraphs and a  show-nothing photograph taken by a ten-dollar camera, can ya?

“I did not stare at his gravesite. Why would I do that? Nothing there everlasting. And there ain’t no stone there to read, and there won’t likely be one until there’s money for one, because that’s the way those things get done. But it’ll get done. He’ll be remembered, stone or not. The preacher read things from his bible, and they were good and pure words, for sure. Words about faith and resurrection and the humble flesh we all wear. But the flesh ain’t all. I’m not a preacher, and you’re probably all tired hearing about such things right now. I’m not, but I am his sister, and I care about such things. I care about his spirit and about being one of the owners of his memory. Let me tell you what I saw as I stood there weeping, listening to the wind, listening to the spoken words, listening to myself weep and asking myself, and asking hard: why? Why him? Why was it my kind, uncertain, curious brother? Why him? Gunshot, ya’ll. Three times. Because he was carrying a pencil case and not a handgun. Why him? He was probably thinking about — and y’all listen to these words — he was thinking about / not doing about — asking a girl he liked to the senior prom. That was his big thing, his big deal for the day. Knowing him, it was probably his life commitment for that month. Just thinking about: Should I ask her? Maybe I’ll just stay home. Or should I just go ahead and ask her? That was the way he thought. Contractions and uncertainties. Should I have peanut butter on my toast or cinnamon? Should I write poetry or study for that math quiz some more? Should I, could I, if I. I get tired imagining the travails and the traveling those thoughts had to take, all those back roads and blind curves. And thoughts were what he had. And thoughts were taken from him, and taken from all of us. And now I’m the same age he was when he was taken. I ain’t been shot yet, but I may be, same as you. Same as any of us. Because we’re all hurting, but we’re all strong. And I think of my big brother, and I think, I know that boy. He wasn’t perfect, but at the same time, he was. I can’t be the only one who knows that.

“And I stared, not at his gravesite, but at the field across the way. A field with a lot of cows and… I think I saw a few goats. The dirt was reddish and raw, with the last of winter finally draining away. But there were long paths of laid-down hay, kind of in a swirling and rambling pattern, according to where the tractor had dragged the bales. And the cows were eating the hay, and the goats were with them, eating the grass, and I thought: that’s where we should all rest. In a cinnamon colored field with others not like us, but just like us, who want to be friendly with each other and share what’s good. And I liked that my brother’s place overlooked such a place. It gave me hope for all the disquiet we feel. Maybe that kind of place is our real home, and not some gold-plated stone road full of mansions and riches, but a place of tough grass and stubborn soil, and calmness, always calmness, always slow and relaxed, with plenty of time and space to think about the space we have and the time we have to share it. I like to think that whenever my thoughts turn hurtful and blue.”

Suite 3

“Damn,” Evelyn-Jean Jones says to her partner. “I don’t know how that boy could stand the taste of cinnamon on everything. Both the girls seem to like it, though, and I’m glad of that. Now, don’t be getting any of that stuff near my cereal bowl, you hear?” And then she smiled without knowing she was smiling, remembering him.

Photo 1 by Engin Akyurt from Pexels

Photo 2 by Raphael Brasileiro from Pexels

(Adult themes and language)

The East Coast light was delivered to them each morning on the cheap. It broke apart between the hand hewn beams Joanne loved so much, and then landed on her old West Coast quilt, miraculously complete. Dawn was the first trick of the day, she said: a ragged little something to make you believe you were waking up someplace else, somewhere more rugged, like Oregon or backwoods Appalachia. Goddamn Connecticut, she said. It fooled even smart people into thinking they belonged outside their natural state. 

Daniel’s father was not an architect, but he knew how to read a blueprint, how to lay hands upon brick and wood. This place was built as a wedding gift, and the old man died two days before they moved in. It was a heart attack at a traffic stop. Hardly the combative adieu most men hoped for, but it worked as decent after-dinner conversation.

On the first night in their marriage bed, Joanne told Daniel, “I’m the most tragic piece of ass you’re ever gonna find, Danny Boy.” 

He smiled and nodded. “Likewise, Jo. I hope.” 

They were a reasonably contented 20th century couple, cemented in stubbornness and tradition, until Gloria arrived. They did not invite her, of course, but they knew she would not change her schedule for them. And so they waited on her.

September 27, 1985 – 4:42 a.m.

Daniel at the helm of the bathroom mirror, inside it, stained inside it, exhaling Listerine, objecting to the flat space between the layers of his himness. Who is staring at whom, you might say, that certain cliché: am I real, the real deal, and who is this pretender before my throne? Am I firmly in place, consigned only as a load-bearer, as the pillar holding up all this shit and disgrace until it topples? Awful, yes, to consider there are these light fixtures and shiny polished faucets to maintain, oh, and the codified hand towels and ornamental soaps, the fuck is that about, eighteen dollar dollops of molded soap imprinted with cherubs, and I’m not even allowed to wash my hands with them? and the vodka still rages and it smells a little like mouthwash and a lot like backwash vomit. Fifty-two years old and still acting like a kid sneak-drinking Mateus, hiding the vino under the passenger-side seat of the old man’s wagon, except now it isn’t always vino, and it definitely isn’t rolling around in the back of the Olds. Joanne would have a cow. Is that the right expression, having a cow? No, she would have a fully-formed, prime Grade-A, fucking clot of beef if she knew I was still drinking five-dollar potato vodka. What do you say, Opposite-Me? I say go back to bed, asshole, it’s going to be the shittiest of shit days and she’s going to need you. Gloria’s on her way.

“You okay in there, hon?” moans Jo, her voice a blur, a smoker’s burr, barely aware under the quilt, barely awake but cognizant of his absence.

“I’m good, baby. Go back to sleep.”

“‘kay.”

“Rough day ahead,” he says, but it’s more to himself, because she already knows that, and why doesn’t he just do the right thing and fucking die already?

September 27, 1985 – 7:18 a.m.

Joanne at the edge of the bedroom mirror, beside it, hiding from her nakedness. She’d put on too many pounds since the Fourth. Maybe since before that, since last Christmas. Or maybe since forever. Fuck. Weight and shame, that’s all this was. All. This. Is. Daniel never said a word, not a tot of encouragement, not a nod of acknowledgement that she was suffering. What do you call this? The Middle-aged Blues? Might as well romanticize it, and why not? Growing old before you could really gather up all the facts of how you’ve lived so far? No one wrote songs about this kind of loneliness, did they? As your husband merrily lives a life outside of you. People have a way of forgetting the ways the other half fades. The primal organism of love, not just the smooth camera-ready surfaces, all the playful erections and generous curves and the wet boundaries of touch. They forget about the chambered heart, the damaged blood, the aching ligaments and the splintered bones. They forget about the ovarian cysts and the broken skin and ugly scars that still look like billboards in the dark. They only see the before and after in the photo album, and they nod and reminisce about the rocket-powered orgasms of newlywed bliss that always always always obscures the disappointments and stained regrets. We are childless, honey, because of me. We both know it and have never spoken it, not aloud, it’s not allowed, even when the other is asleep. And I weep. You know it, Danny, I weep. And you turn over in your sleep, and you turn the bottle over to your lips, and you pretend that we’re both too old for this nonsense, it doesn’t matter. But it matters. It has shaded us. And now we really can’t stand to look at each other, can we? But we do. For the sake of ourselves, we do. Because every morning, we awaken to the terror of our calamity. And calamity is what we know but haven’t quite expressed yet.

Will you be sober for the disaster of today? Because I really doubt you will be, and I really don’t need you to be. Because I know we’re going somewhere together, and I really hope we get there soon.

Daniel, yelling from the kitchen, “Are you ready for this, Jo? She might still miss us.”

His words don’t sound too blurred.

“Hurricanes never miss,” she says. “Who can ever be ready for something like this?” Did that sound like a chant, did it have a sing-song singularity to it, the proper note of resignation? She hoped so.

“I hope my dad built this place strong enough,” he says. “I think we might have a chance if Gloria turns a degree or two to the north.”

“Goddamn Connecticut,” says Jo. “Goddamn Gloria.” And, under her breath. “Goddamn us.”

Photo by Arnie Chou from Pexels