Fantasy writers are especially unique in that they imagine worlds — regalities and cultures and creatures — that never were, and then go ahead and build them, imbuing them with their own lively visions, and then spiking them with a bit of awfulness that we all recognize. Dragons? I’m not so sure they don’t exist. In the imagination of D. Wallace Peach, of course they do. And so do necromancers, but it’s a costly gift.
A healer and dabbler in the dark arts of life and death, Barus is as gnarled as an ancient tree. Forgotten in the chaos of the dying queen’s chamber, he spirits away her stillborn infant, and in a hovel at the meadow’s edge, he breathes life into the wisp of a child. He names her Aster for the lea’s white flowers. Raised as his daughter, she learns to heal death.
Then the day arrives when the widowed king, his own life nearing its end, defies the Red Order’s warning. He summons the necromancer’s daughter, his only heir, and for his boldness, he falls to an assassin’s blade.
While Barus hides from the Order’s soldiers, Aster leads their masters beyond the wall into the Forest of Silvern Cats, a land of dragons and barbarian tribes. She seeks her mother’s people, the powerful rulers of Blackrock, uncertain whether she will find sanctuary or face a gallows’ noose.
Unprepared for a world rife with danger, a world divided by those who practice magic and those who hunt them, she must choose whether to trust the one man offering her aid, the one man most likely to betray her—her enemy’s son.
A healer with the talent to unravel death, a child reborn, a father lusting for vengeance, and a son torn between justice, faith, and love. Caught in a chase spanning kingdoms, each must decide the nature of good and evil, the lengths they will go to survive, and what they are willing to lose.
FromChapter 5 – An excerpt
A wave of panic stilled Barus’s hand, the needs of an infant beyond his experience. The insanity of his choice forced him back a step. For a full day, he’d suffered from fatigue and fear, his mind as muddy as a spring puddle. What was he thinking? Did he believe, for a single moment, he possessed the knowledge or skill to raise a child?
He slumped onto the one chair Graeger had left intact when he’d first barged into Barus’s life. His head hung forward into his hands, and he shivered. If the land wasn’t trapped in the grip of winter, he could bury her body under the willow beside the boy. He could lower her into the ravine beside Olma’s bones so neither would rest alone. And while the thought comforted him, it made his heart ache with grinding loneliness.
Olma hadn’t abandoned him despite the tragedy of his birth. How could he choose otherwise?
He studied the baby’s exquisite face, her repose as tranquil as sleep, fingers curled, complexion and hair as white as the asters on the summer’s lea. On her deathbed, the queen had begged for her child’s life. He possessed the power to see her will done, and in the depths of his heart, he couldn’t deny her … or the infant. Or himself. Despite his fear, he’d fallen in love.
Meet the Author
A long-time reader, best-selling author D. Wallace Peach started writing later in life when years of working in business surrendered to a full-time indulgence in the imaginative world of books. She was instantly hooked.
In addition to fantasy books, Peach’s publishing career includes participation in various anthologies featuring short stories, flash fiction, and poetry. She’s an avid supporter of the arts in her local community, organizing and publishing annual anthologies of Oregon prose, poetry, and photography.
Peach lives in a log cabin amongst the tall evergreens and emerald moss of Oregon’s rainforest with her husband, two owls, a horde of bats, and the occasional family of coyotes.
One of my favorite excerpts: “A cold bone-moon sailed across the treetops. Silvergreen leaves glimmered between the towering evergreens like fairy lanterns. For several hours, she walked beside him, and they resorted to quiet conversation. With dawn a long way off, they settled beneath a tent of bowed branches and huddled together for warmth. Aster sighed and fell asleep with renewed hope.” This is simply lovely.
Diana’s writing brings a certain elegance to all her characters, who feel lived-in and fully-realized — particularly Barus, whose kindness and simple humanity lifts this tale high. Diane’s descriptive prowess is enchanting as always, and “The Necromancer’s Daughter” is as magical and rewarding a read as you would expect from this gifted author.
A big thanks again to Suzanne Craig-Whytock at DarkWinter Literary Magazine for giving my short story ‘Lamentations of a Farmer‘ a wonderful home. She promotes and publishes so much great work and I’m so pleased to be included there. It’s well worth the visit. Thank you! And the artwork she chose to accompany it is perfect!
The permutations of anger: the same lean belt administered each time, creased leather, broken down, worn, worn; the flesh burst purple below his underpants, somehow artful — a stained spider scarred on his ass, a sledge of pain stretched across each swing, torn, torn; the days of suppers in the dark, the last fibers of light pulled tight across a Chinese restaurant chimney, just down the street, he, outside, hip against the Parisienne, drawing from his smoke, long, long, in the rain.
Bobby came to this place, his father’s house, three days before Labor Day, one year after they buried him. He favored these days for their softer summer light, when the mosquitoes were disinterested in anything beyond the riverbank. The trout were spry in the morning and fed on small damselflies and midge larvae. He left them alone. Their splashes were enough.
His father lived here the last few years of his life, after his second wife passed. There was a little insurance money, and he had always been frugal, so he bought it outright. “Come on down, Bobby,” he said. “The river’s hopping with brook trout, just like that stream by Cranberry Falls. You wanna do that, come see your old man?”
He deferred. Every Easter weekend, every Fourth of July, every October weekend closest to his birthday. No, it was crunchtime at work, or, no, he was coming down with something coughy, or — just to fuck with him — no, he needed to spend time with Meg and the kids. “Bring ‘em, I’d love to see them.” “Megan’s mom is sick, dunno, could be bad.” “Oh-no.” ‘Cat’s in the Cradle’ shit without the irony.
The truth remained: Meg left him months ago, found a new boyfriend who wrote game code, the kids loved him. Boyfriend was the new superman. “You’re such an angry man, Bobby,” she told him. “I have that capacity, yes,” he said, “but I’m not a violent man.” “Not yet,” she said. “No.” The most naked word he ever spoke.
Bobby helped them pack their things and he sold his car to her for a dollar. “We need to stay good to each other,” he said. “No anger, no resentments.” She agreed. It broke him that it could end so cleanly. They still spoke on the phone, they still listened to each other’s yearnings and grievances, but he was more muted. He taught himself to listen without being defensive, and so he listened. She talked, she wept, she became angry with herself for talking and weeping. “No worries,” he said. “So what are you doing next?” she asked. “I’m gone fishing this weekend or next.” “You should do that,” she said. “Maybe resolve things with your father, finally.” “I should, yes,” knowing that he wouldn’t. Resolve things was too big, akin to maybe you should plant a flag on Everest, or, hey, the moon could use your boot print. Sure. They made it through another conversation, and they remained on the good side of good.
Life inside summers, between inflatable pools and pitchers of lukewarm lemonade, he saw his own reflection in his boys, prismed, damaged. He considered his father’s place, the clean little river, the smooth elasticity of its current, bound by chubby clay berms stitched with grass. He told his father he would take care of the property. There was no signed will, no legal papers to clarify to whom his shit should go. The estate was still in probate, and he was the only surviving heir. It didn’t matter much to Bobby, he went there when it felt right. He mostly wanted to visit the river, and Labor Day weekend sounded right.
The rain held back, straining hard against heavy-bellied clouds. Not even dusk yet, and he could hear the far away preparations for fireworks, a coiled whistle and crackling strings of firecrackers, an indistinct murmur of approval from the crowd. He decided to mow the path of grass between the car and the porch, and, suddenly ambitious, from the porch to the back of the yard towards the river. The mower sputtered. He checked the oil, topped up the gas. Mechanical needs fulfilled, he cranked it again. Five minutes in, he was sweating from his scalp onto his neck. The yard was weedy and uneven, but the smell of grass clippings was pleasant. He remembered his father tinkering with his Evinrude on hot days, smudged fingerprints on his shirt pocket whenever he reached for his cigarettes, rags spread out on the workbench according to absorbency. “Go tell your mother I need a soda, but none of that diet Tab shit. Coke or a 7-Up.” He was a rigid abstainer; his own father drank and it ruined him, so he was determined to be the straightest fucking nail ever to be driven. Maybe a glass of bourbon would have mellowed him, maybe it would have set his brain on fire, who could tell? Bobby drank beer when it was hot, when he was puttering in the yard, but didn’t think about it too much.
“You are going about this the wrong way,” his father used to say, about almost everything Bobby did. The old man was good at drawing, amazingly good, fucking fantastically good, but he considered it a chore, something he only submitted to when he had exhausted everything else and didn’t feel like watching TV. He kept a Faber-Castell colored pencil set in his sock drawer and only took it out on rainy days or late nights when everyone else had gone to bed. Sometimes he told Bobby to watch him, maybe learn something. “You don’t just set the pencil on the paper and start to draw. No, sir. ‘Carving is easy, you just go down to the skin and stop.’ You know who said that? Michelangelo. And drawing is the same thing. Look for the thing and draw it. It’s already there. It doesn’t have to be hard, but it has to be good, the best you can do, excellent if you can. Get it? Do you understand why I don’t do it very often? Because it would goddamn consume me.” And that was the deepest his father ever spoke about anything, and Bobby was eight years old, and that stuck with him more than the physical beratements. The beatings. He never forgot the lesson and he never lived up to it. That was what goddamn consumed him. His imperfection and his apparent acceptance of it.
Megan called him after supper. The place still had a landline and Bobby kept the phone connected, because you couldn’t get any bars on a cellphone out here in the Great Beyond. You could be laid out beside the river, half-eaten by a bear, before anyone realized you’d already been digested. At least a landline forced you to crawl back inside the house and die righteously, on linoleum.
“Just wanted to make sure you got there okay,” she said. “Is the place alright?”
“Locked up tight. A little dusty, and the yellowjackets have built a nest over the woodpile, but it looks good. Oh, and I think the back deck has termites. I’m going to call the exterminators on Tuesday. Nothing broken, though.” He took a deep breath. He hadn’t spoken so many words since he filled the car on Thursday and bought two bags of ice for the cooler. ”How are you doing?”
“Oh, I’m fine,” she said, and paused. “Shitty, actually. You know what? I miss you. Labor Day was always a fun time. Wasn’t it? The promise of kids going back to school, cooler days, everything feeling fresh again.”
“You’re just being sentimental. If I were there, you’d be missing Elon.”
“His name is Alan and you know it.”
“Sorry, it’s a bad connection. You have any plans for tonight? Fireworks, cocktails by the lake?”
“He’s working, as usual. Are you planning to blow shit up?”
“Not even a sparkler. I can hear them getting ready over at the park. I’ll watch from the yard. A shot of bourbon and I’ll call it a night.”
“How are the boys?”
“Oh, they’re okay. They’re hanging out with Dennis and that other one, what’s his name….”
“Rory. Like the cowboy. They say they’re going to play video games, but you know damn well they’ll be down at the lake smoking cigarettes and picking up women.”
“Milfs, they call them.”
“Is that what they call them?”
“Seriously, though. Are they doing alright?”
“Oh, sure. The magic has rubbed off with Alan, as I figured it would. They’re kids. They’ll get in trouble and it’ll burn them once or twice, but I think they’re good boys and hopefully it won’t be too devastating for them. They’re fine, Bobby, really.”
“Okay. You need me to give them a stern talking-to, just let me know.”
“You know I will.”
A companionable silence fell between them. A rumble of thunder came from somewhere in the west.
“I don’t want to go fishing in the Luna Maria anymore.”
“Well, that’s good,” she said. “I don’t think you’d catch very much, and the conditions aren’t conducive to, you know, living.”
“That’s what I’m saying. I’m tired. I don’t want to go further away.”
She was silent. He could almost see her, studying her watch, distracted by a noise from outside, contemplating her scratched rose fingernail polish. “I never asked you to.”
“Okay. I just wanted you to know.”
“What do I know?”
“That I think I want to keep this place, maybe flesh it out, build on it. It’s not his anymore. And that I want you and the boys to come visit and maybe hang out. Elon can come too, if he’s not too busy.”
She gave him a faint raspberry. “Talk to me tomorrow, Bobby. By the light of day, not by the light of fireworks and sentimentality.”
“I will. Are you sorry you called?”
“No. I just didn’t expect it to take this turn.”
They gradually said their goodnights and he sat in an old adirondack chair in the middle of the yard and waited for night to arrive. The overhead clouds shambled by slowly, great beasts sniffing at the earth.
The first raindrop fell on his wrist, and it was cold and spread onto his hand like a spider. The deluge was sudden, and it stopped him from moving; he was committed to it now, a full-on rain, and he was submerged in it, tasting it like a kid, and it felt a little like a blessing.
The only breeze that blew through Nannie Dee’s front yard carried a miasma of malt liquor fumes and hyacinth perfume, Millicent’s step-mother’s favorite and thereby unavoidable. Nannie could count the number of real Christians in her front yard with the fingers on one hand, and the rest of them could have the back of the other one. Still, she would be polite. She would offer refreshments and compliment them on their new shoes (or their new blouses, or their fashionable ties, if they bothered to wear one), and her countenance would not change. This was Millie’s day, and none of their frowny-face pantomimes were going to change that.
“She’s with God now,” proclaimeth Judith Meyers, the new-ish teacher who taught Millie ‘Northern History’ and was likely from someplace like Boston or Newport, but who had tamed her accent to fool the local folk. Oh, she probably came from good stock, alright, raised in some third or fourth generation Italianate style home, on her second marriage at the tender age of thirty-four, and, no doubt, already eyeballing her next Mister. There were stories about her, but Nannie Dee would be charitable: “Thank you, honey, God bless.”
Next up was Courtney Everding, Millie’s Academic Advisor, and her husband Darryl, a stately-dressed cowboy-type — a mustached goober, really — and the man who most likely raped Millicent. He was currently squeezing a sausage biscuit to death. “So sorry for your loss, Missus Dee,” she said, and offered her a hug. The goober nodded, distracted by all the young women wandering the yard. Millie’s friends.
“Appreciate the kindness,” said Nannie, then whispered: “And if you was to cut your husband’s throat and cock when he falls asleep tonight, I would gladly alibi you without any complaint from my conscience.”
Missus Everding acknowledged her with a crisp nod as her husband squeezed that biscuit until crumbs started to fall on his shoes.
Next up didn’t matter. They were all cotton flowers from the same patchwork quilt around here. Oh, she would judge them in her old-style way, everyone did that, always judging each other until that judgment didn’t even matter any more. This was Millicent’s day, and if Nannie Dee — the girl’s grandmother, after all — made a sour face for just the tiniest of seconds, it wouldn’t be more damning than if her dentures had slipped a little. And who would fault her for that?
“God bless you, honey,” she heard herself say to a boy who rode over on his tractor. She would complain to his grandfather tomorrow, because the boy tore up a small patch of her sweet alyssums. Things like that did not sit right with her. Boys had to learn early, or look at all the trouble they’d cause later. “Give my best to your mama, you hear?”
A big thank you to Suzanne Craig-Whytock for publishing my latest flash fiction, Touch/Either/And/Or Adoration at her brand new literary magazine, DarkWinter at darkwinterlit.com. Please pay a visit and check out the other works (fiction and poetry), and feel free to add something to this growing publication. Suzanne is an award-winning Canadian author, and she’s extremely talented and funny. Also check out her must-read hilarious blog, mydangblog. Thanks for reading.
Welcome to the launch! Today, I’m proud to present the newest book — Liars and Thieves — by my friend Diana Wallace Peach, an extremely prolific and gifted author of dark fantasy, and a great supporter of independent writers. She’s written a new series, Unraveling the Veil, and I’m happy to shout it out.
Behind the Veil, the hordes gather, eager to savage the world. But Kalann il Drakk, First of Chaos, is untroubled by the shimmering wall that holds his beasts at bay. For if he cannot cleanse the land of life, the races will do it for him. All he needs is a spark to light the fire.
Three unlikely allies stand in his way.
A misfit elf plagued by failure—
When Elanalue Windthorn abandons her soldiers to hunt a goblin, she strays into forbidden territory.
A changeling who betrays his home—
Talin Raska is a talented liar, thief, and spy. He makes a fatal mistake—he falls for his mark.
A halfbreed goblin with deadly secrets—
Naj’ar is a loner with a talent he doesn’t understand and cannot control, one that threatens all he holds dear.
When the spark of Chaos ignites, miners go missing. But they won’t be the last to vanish. As the cycles of blame whirl through the Borderland, old animosities flare, accusations break bonds, and war looms.
Three outcasts, thrust into an alliance by fate, by oaths, and the churning gears of calamity, must learn the truth. For they hold the future of their world in their hands.
Three outcasts, thrust into an alliance by fate, by oaths, and the churning gears of calamity, must learn the truth. For they hold the future of their world in their hands.
Diana, how do you define success?
In all parts of my life: Happiness. We only get this one life; there are no second chances, no do-overs. We are each miracles, here through the perfect alignment of billions of years of evolution, choices, and chance. It’s not a gift to be wasted. Happiness means different things to different people, but for me it’s choosing an attitude of kindness, care, and compassion and acting on that choice. Writing is something that brings me joy, no strings attached.
Diana’s very creative trailer, well worth watching:
D. Wallace Peach started writing later in life after the kids were grown and a move left her with hours to fill. Years of working in business surrendered to a full-time indulgence in the imaginative world of books, and when she started writing, she was instantly hooked. Diana lives in a log cabin amongst the tall evergreens and emerald moss of Oregon’s rainforest with her husband, two dogs, bats, owls, and the occasional family of coyotes.
There are some days when I am so tired of the words. My words. Their looseness, their tightness, their clutter, their chatter, their aloofness and evasiveness, their show-and-tellness, their hip-hoppiness. They’re too unrefined, too shiny, too abstract, and they float like blots of snow in a Rankin/Bass Christmas cartoon. I want them to be sweeping, I want them to be respectful, I want them to weep and soar, I want them to be dramatic piano notes, each. one. a. slow. plink / plunk. and. then. echo down a dark stone corridor and scald all the walls with their beauty. AND THEN I WANT THEM TO
like BUBBLE wrap, and startle children and small animals, and then I will put them in the corner because they know what they’ve done AND they won’t stop giggling. I want to dress them in jeans and a paint-splattered T-shirts, in expensive tuxedos, in riverboat finery, and I want to retire the old ones, fuss over the new ones, and dig a big hole in the backyard and discover all the dinosaury ones. I want to invent brand new words that open up brand new ideas and I want them to line up for a proper photograph wearing their bestest-best smiles and show everyone how friendly they can be. But mostly I want them to let me rest. I am so tired and they always want to play with me. I want to save them in a big glass bowl and chew on them one at a time when my chewing teeth are ready and I want to swim with them on fresh white paper or on creamy parchment and tickle them with ink when the lights are just bright enough to glow upon each one of them and then. walk away. and just let them. SLEEP. for just for a few minutes each day.
But then, what would I do, what could I do with no words to renew or paragraphs to imbue, what would I do? What could I do? And what, I shudder, would they do, I wonder, suddenly broken into pieces asunder? I wonder and I wake them up as fast as I can just in case they want to stop playing, or forget what they’re saying. This is no time to rest, I guess, no time at all.
There are some days when I can’t keep up with the words, can’t catch them at all. My words, plunk / plink, and that’s what I think.
these there are the scars she said a fleshybrown hook on her belly a rage of adjectives against her skin by hand under shirt under skirt look here where the skin broke at the damages she tolerates for not knowing his rages against the surface part of her, the retractable blade went here, look, touch these damages they are only torn fabric silk and muscle bleeding dye and plasma, dying you hear a different meaning from the language she has given you
My living thoughts of you still follow me through the bramble of crumpled bits of paper where all the words I write to explain you to me falter in mid-stroke. I cannot breathe in the dust of yesterday, where you still live, where I still pay rent.
There is a mean toll for crossing that border and re-walking all those miles, climbing over the rubble, pissing on all those tracks, spitting out all that brine, but that’s how it was, that’s how it was running away from your home
and wrapping my ass in the given-up geometry of a 1967 lawn chair outside one fleabag or another, and I’m down to the minimum dietary requirement of crumbled corn chips and leftover beer discovered like a treasure on top of the toilet tank
beside the drunken sketch of Angry Yahweh, and that last viable cigarette butt beside the fresh hole in the mattress
no I cannot breathe any more.
I trudge back to you every night, my bruised eyes and gravel-bitten feet kick up dark puddles, dripping what’s left of me onto crumpled bits of paper
and all my living thoughts of you run on ahead and wait for me to catch up.
We sit cross-legged on the scatter rug and listen to the rain peck at the windows. The water fractures itself against the screen and it draws patterns I want to trace with my fingers. We have a box of candles on the kitchen table, for when the dark comes back inside. She leans into me whenever the rain turns loud, and her face is solemn and so still. Outside, the wind carves itself into the hickory trees. She can’t hear me offer up comfort, so I lean back into her. We listen. We wait.